>>2991
I want to say I do - it's pretty much why I've been off the radar over the months. I want to be recognized outside commission artworks; at the end of the day, it's still someone else's vision I'm paid to draw. And frankly I only learned to draw so I could flesh out my own imagination - whether safe or lewd. Preferably safe but I know where I am.
It's a matter of taste. Some people prefer stuff at face-value where they just get to the good parts and go about their day. But there are others who'd love to lose themselves in a world centered on their pleasures, interests and more. And the more detailed, the better.
Then you have HR Giger levels of detail I'm guilty of. One say convoluted, another says intricate. It's like a recipe - how well it turns out depends entirely on what you use to make it.
Critical writing in general really rest on 2 things: If you actually want to, and if you absolutely love to. Everything has an audience and if you enjoy lore-building and world-building, may as well go for it.